She flies as high as you can go. . . . Bold and convincing. . . . Exemplary. . . . A rich book.

The chapter on Sylvia Plath’s ‘Daddy’ will take the top of your head off!

As entertaining as it is dazzingly erudite, Break, Blow, Burn is capable of re-energizing any reader’s engagement with poetry.

I hope a lot of people read this book. . . . There wasn’t a commentary where I didn’t learn something about the poem in question, no matter how familiar the poem was.

It will have students storming the walls of tomorrow’s English departments, mad for poetry again.

Dazzling. . . . Bursts with her ingenuity. . . . Brilliant insights . . . permeate the book. . . . Readers receive a marvelous education.

Paglia’s vision is always fresh. . . . She makes a fascinating and challenging reading companion. These essays will inspire anyone to turn back to poetry again.

One test of un homme sérieux, ' Christopher Hitchens wrote, 'is that it is possible to learn from him even when one radically disagrees with him.' By this measure, Camille Paglia is une femme sérieuse indeed. . . . If you've forgotten Sexual Personae, or have never read it, Paglia helpfully reprints a few chunks of it in her new essay collection, Free Women, Free Men: Sex, Gender, Feminism. These chunks are fiercely erudite, freewheeling and sex-drenched. . . . Her exegeses are prickly and acute, the Helen Vendler-meets-Patti Smith grad seminar you wanted but never quite got. . . . Her prose can be electric. . . . a fearless public intellectual and more necessary than ever.

Paglia is a brilliant thinker on culture and human nature. . . . [She] never fails to provide straightforward and thoughtful dialogue about gender. . . . [Her] new book is inspirational in its tone and its message that freedom belongs to both sexes.

Topics run the gamut, including an essay praising The Real Housewives; her famous 1990 piece on Madonna in which she deemed her 'the future of feminism;' and an astute essay analyzing the cultural, aesthetic, and historical implications of stilettos. An introductory essay offers a compelling glimpse into Paglia's childhood in the 1950s that led her toward feminism and strong female role models like Amelia Earhart and Katharine Hepburn. . . . Her work is always thought provoking and laid out with an academic's insight. She is most on point when she analyzes pop culture, design, and art--managing to put an intellectual spin on lowbrow entertainment and turn more obtuse academic topics into something relatable and enthralling.

Polemical, thought-provoking, enraging, funny, and brave. And today [Paglia's essays] sound prescient. . . . Before President Donald Trump thrust the nation into debates about liberals forgetting white working class Americans in the Midwest and South, the failures of contemporary feminism, and free speech on college campus . . . Paglia was discussing all these topics. Whether you agree or disagree with Paglia (and many people have made strong arguments in disagreement), she has always understood the country while other experts did not.

What this amounts to is a non-stop intellectual barrage. No one with the slightest interest in its issues can afford to overlook Paglia's treatment of them here, which compels the consideration of her shrillest critic and ardent devotee alike. The wider significance of Free Men, Free Women is the promise, implicit in its approach, to help pave a path forward for those now reeling from the unintended consequences of the continuing culture wars.

Paglia is one of the most fascinating (and individualistic) writers on feminism and gender extant.

Feminist and culture critic Paglia is at her feisty, full-throated best in this series of short manifestos that spans her career from her breakthrough 1990 study, Sexual Personae, to the present. Paglia's remedy for the ills besetting contemporary women is an infusion of her personal brand of 'Amazonian feminism, ' which combines staunch libertarian principles with 1960s rebellion. She refuses to bow to ideology ('The premier principles of this book are free thought and free speech--open, mobile, and unconstrained by either liberal or conservative ideology') and is uncompromising in her convictions. Paglia's sharp tongue and clear vision veer toward forceful assertions and snappy insults as often as practical perspective and common-sense solutions. . . . Her stances on date rape, abortion, free speech, sex, art, and the importance of historical perspective are admirably consistent, as is her contempt for university coddling, poststructuralism, women's studies programs, cults of victimhood, and anything mainstream. . . . One does not have to agree with her theories about masculinity, femininity, and sex to enjoy Paglia's bracing intellect and scrappy attitude.

Impressive. . . . Paglia uses new insight to dissect issues relating to feminism. . . . The author eloquently illustrates the dangers of narrowly defining a feminist according to what issues they support. Instead, she argues for feminism to become an umbrella of people with differing political views, sexual orientations, and religions who seek to strengthen women, without the need to demean men. Intriguing and thought provoking for readers interested in different perspectives of feminism.